These other women may be bad, but Jezebel is the worst. Jezebel cannot even be compared with the Bible’s other bad girls-Potiphar’s wife and Delilah-for no good comes from Jezebel’s deeds. She is not a heroic fighter like Deborah, a devoted sister like Miriam or a cherished wife like Ruth. Rehabilitating Jezebel’s stained reputation is an arduous task, however, for she is a difficult woman to like. In recent years, scholars have tried to reclaim the shadowy female figures whose tales are often only partially told in the Bible. This ancient queen has been denounced as a murderer, prostitute and enemy of God, and her name has been adopted for lingerie lines and World War II missiles alike. Image: Russell-Cotes Art Gallery and Museum, Bournemouth, UK/Bridgeman Art Library.įor more than two thousand years, Jezebel has been saddled with a reputation as the bad girl of the Bible, the wickedest of women. As Jehu’s chariot races toward the palace to kill Jezebel, she “painted her eyes with kohl and dressed her hair, and she looked out of the window” (2 Kings 9:30). Jezebel’s reputation as the most dangerous seductress in the Bible stems from her final appearance: her husband King Ahab is dead her son has been murdered by Jehu. You can feel it reaching for something higher at times, as evidenced by some of the visually striking screenshots, but in the end just as it pays lip service to great ideas in horror and cinema while failing to anchor its own.Israel’s most accursed queen carefully fixes a pink rose in her red locks in John Byam Liston Shaw’s “Jezebel” from 1896. Layers of Fear 2 is a bloated beast, its early chilling atmosphere replaced by an attempt at psychoanalytical storytelling it doesn’t quite know how to handle. We get it, the loops represent the obsessiveness of a broken and brilliant mind, but where the original harnessed this into a concise narrative, here it’s not delivered with the same presentational focus. Act 3 takes this to tortuous extremes, as you crawl through a vent four (or is it five?) times to drop into different rooms in your warped, wooden childhood home. Completing each act sets you back in your cabin, piecing together a story about why your character is the tortured thespian they are. Like the original, Layers of Fear 2 is a game of loops. The room with the shadow plant and taps, or the flare cannons dotted around a pirate ship, may just drive you over the edge with their lack of direction. Others are so inane and frustrating that they hark back to the dark ages of '90s adventure game puzzle logic. Some puzzles, like the slide projectors that manifest items and doors on eerie monochrome screens work well enough, while keeping with the tone and theme of the game. The first act does a good job of building tension and setting a tone, but the early good work gets derailed in subsequent acts, which take place in dull environs and introduce a litany of pace-tripping puzzles. The confusing chaos of the horror sequences is overshadowed by segments where nothing much happens at all. It breaks the mould to occasionally treat us to striking scenes in Deco lobbies, creepy screening rooms and fantasy pirate lands from a child’s imagination, but its struggle for stylistic consistency dulls the horror. It’s like the work of a hyperactive horror fan who can’t get their rampant thoughts into place.Įven the title cards for each act, stylishly drawing on horror styles ranging from '20s vaudeville to '70s Kubrick and '80s Argento, feel meaningless, tying in tenuously at best into the game’s scatty themes of acting and identity. The optical illusions get replaced by an endless supply of mannequins that either stand around in movie-like scenes or jolt out of nowhere to contort into unseemly shapes, and you’ll witness scenes ripped straight from horror classics like The Shining and Ring with zero context. Subsequent acts get drowned in a sea of poor pacing and flat horror movie references that lack cohesion in an already confused plot. But it struggles to keep up the momentum across its 9-10 hour play time.
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